In click Reading the Figural, or, Philosophy after the hot Media
D. N. Rodowick applies the idea that of “the figural” to various philosophical and aesthetic matters. encouraged by way of the cultured philosophy of Jean-François Lyotard, the figural defines a semiotic regime the place the excellence among linguistic and plastic illustration breaks down. This competition, which has been the philosophical origin of aesthetics because the eighteenth century, has been explicitly challenged through the hot digital, televisual, and electronic media. Rodowick—one of the most important movie theorists writing today—contemplates this problem, describing and critiquing the hot regime of indicators and new methods of considering that such media have inaugurated.
To absolutely understand the emergence of the figural calls for a genealogical critique of the cultured, Rodowick claims. looking allies during this attempt to deconstruct the competition of observe and photo and to create new innovations for comprehending the figural, he trips via more than a few philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on movie idea; Jacques Derrida at the deconstruction of the classy; Siegfried Kracauer and Walter Benjamin at the historic photo as a utopian strength in images and movie; and Gilles Deleuze and Michel Foucault at the emergence of the figural as either a semiotic regime and a brand new stratagem of strength coincident with the looks of electronic phenomena and of societies of control.
Scholars of philosophy, movie conception, cultural feedback, new media, and paintings historical past can be drawn to the unique and complex insights present in this book.